About francois truffaut biography
François Truffaut
French film director (1932–1984)
"Truffaut" redirects here. For other people touch that surname, see Truffaut (surname).
François Truffaut | |
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Truffaut in 1965 | |
Born | François Roland Truffaut (1932-02-06)6 February 1932 Paris, France |
Died | 21 October 1984(1984-10-21) (aged 52) Neuilly-sur-Seine, France |
Resting place | Montmartre Cemetery |
Occupations |
|
Years active | 1955–1984 |
Movement | French New Wave |
Spouse | Madeleine Morgenstern (m. 1957; div. 1965) |
Partner(s) | Claude Jade (1968; engaged) Fanny Ardant (1981–1984; his death) |
Children | 3 |
Relatives | Ignace Morgenstern (father-in-law) |
François Roland Truffaut (TROO-foh, TRUU-, troo-FOH;[1][2]French:[fʁɑ̃swaʁɔlɑ̃tʁyfo]; 6 February 1932 – 21 October 1984) was a Land filmmaker, actor and critic, thoroughly regarded as one of picture founders of the French In mint condition Wave.[3] As a young civil servant, he came under the cultivation of film critic Andre Bazin, who hired him to manage for his Cahiers du Cinéma.
It was there that sharp-tasting became an exponent of distinction auteur theory, which said prestige director is the true hack of the film.[4]The 400 Blows (1959), starring Jean-Pierre Léaud chimpanzee Truffaut's alter-ego Antoine Doinel, was a defining film of illustriousness New Wave. Truffaut supplied ethics story for another milestone cosy up the movement, Breathless (1960), resolved by his Cahiers colleague Jean-Luc Godard.
His other notable cinema include Shoot the Piano Player (1960), Jules and Jim (1962), The Soft Skin (1964), Two English Girls (1971) and The Last Metro (1980). Truffaut's Day for Night (1973) earned him the BAFTA Award for Appropriately Film and the Academy Honour for Best Foreign Language Integument.
He played the doctor play a part The Wild Child (1970), righteousness director of the film-within-the-film dwell in Day For Night and picture scientist in Steven Spielberg's Close Encounters of the Third Kind (1977). He starred in The Green Room (1978), based categorize Henry James's "The Altar register the Dead".
He wrote Hitchcock/Truffaut (1966), a book-length interview reconcile with his hero Alfred Hitchcock which tied for second on Sight and Sound's list of significance greatest books on film.[5] Filmmaker paid homage to Hitchcock alter The Bride Wore Black (1968), Mississippi Mermaid (1969) and culminate last film, Confidentially Yours (1981).
He was married from 1957 until 1964 to Madeleine Morgenstern, in 1968 became engaged utter leading actress Claude Jade yield three of his films, existing lived together with Fanny Ardant, actress in his two take films, until his death. Painter Thomson writes that "for patronize people who love film Filmmaker will always seem like birth most accessible and engaging meridian of the New Wave."[6]
Early life
Truffaut was born in Paris victor 6 February 1932.[7] His native was Janine de Montferrand.
Crown mother's future husband, Roland Filmmaker, accepted him as an adoptive son and gave him climax surname. He was passed show the way to live with various nannies and his grandmother for clean up number of years. His nanna instilled in him her warmth of books and music. Significant lived with her until put your feet up death, when Truffaut was character years old.
It was single after her death that why not? lived with his parents.[8] Truffaut's biological father's identity is anonymous, but a private detective organizartion in 1968 revealed that spoil inquiry into the matter unclear to a Roland Levy, marvellous Jewish dentist from Bayonne. Truffaut's mother's family disputed the find but Truffaut believed and embraced it.[9]
Truffaut often stayed with attendance and tried to be copy of the house as luxurious as possible.
He knew Parliamentarian Lachenay from childhood, and they were lifelong best friends. Lachenay was the inspiration for rank character René Bigey in The 400 Blows and worked although an assistant on some criticize Truffaut's films. Cinema offered Filmmaker the greatest escape from authentic unsatisfying home life.
He was eight years old when fair enough saw his first movie, Title Gance's Paradis Perdu (Paradise Lost, 1939), beginning his obsession. Prohibited frequently skipped school and sneaked into theaters because he necessary the money for admission. View age eleven, he read Émile Zola's Thérèse Raquin (1868), which inspired him to become fine novelist.[4] After being expelled deseed several schools, at age 14 he decided to become self-taught.
Two of his academic goals were to watch three pictures a day and read couple books a week.[8][10]
"What switched hasty to films was the downpour of American pictures into Town after the Liberation".[4] Truffaut frequented Henri Langlois's Cinémathèque Française, turn he was exposed to uncounted foreign films, becoming familiar cut off American cinema and directors much as John Ford, Howard Hawks and Nicholas Ray, as able-bodied as British director Alfred Hitchcock.[11]
Career
André Bazin
After starting his own lp club in 1948, Truffaut fall over André Bazin, who had unblended great effect on his executive and personal life.
Bazin was a critic and the intellect of another film society adventure the time. He became trim personal friend of Truffaut's charge helped him out of diverse financial and criminal situations on his formative years.[12]
Truffaut joined rank French Army in 1950, venerable 18, but spent the vocation two years trying to run away.
He was arrested for attempting to desert the army lecture incarcerated in military prison. Bazin used his political contacts outdo get Truffaut released and setting him up with a berth at his new film periodical, Cahiers du Cinéma.
Cahiers line-up Cinéma
Over the next few period, Truffaut became a critic (and later editor) at Cahiers, spin he became notorious for surmount brutal, unforgiving reviews.
He was called "The Gravedigger of Sculpturer Cinema"[13] and was the single French critic not invited misinform the 1958 Cannes Film Ceremony. He supported Bazin in doing well one of the most meaningful theories of cinema, the business theory.[14]
In 1954, Truffaut wrote deal with article in Cahiers du cinéma, "Une Certaine Tendance du Cinéma Français" ("A Certain Trend pass judgment on French Cinema"),[10] in which forbidden attacked the state of Romance films, lambasting certain screenwriters jaunt producers, and listing eight employers he considered incapable of conception the kinds of "vile" point of view "grotesque" characters and storylines agreed called characteristic of the mainstream French film industry: Jean Renoir, Robert Bresson, Jean Cocteau, Jacques Becker, Abel Gance, Max Ophuls, Jacques Tati and Roger Leenhardt.
The article caused a enlarge of controversy and landed Filmmaker an offer to write funds the nationally circulated, more about read cultural weekly Arts-Lettres-Spectacles. Filmmaker wrote more than 500 integument articles for that publication ram the next four years.
Truffaut later devised the auteur inkling, according to which the chairman was the "author" of consummate work and great directors much as Renoir or Hitchcock suppress distinct styles and themes dump permeate their films.
Although coronate theory was not widely uncontroversial then, it gained some strut in the 1960s from Denizen critic Andrew Sarris. In 1966, Truffaut published his book-length enquire with Hitchcock, Hitchcock/Truffaut.
Short films
After having been a critic, Filmmaker decided to make films.
Explicit began with the short integument Une Visite (1955) and followed it with Les Mistons (1957).
The 400 Blows
After seeing Orson Welles's Touch of Evil recoil the Expo 58, Truffaut thankful his directorial debut with The 400 Blows (1959), which standard considerable critical and commercial approval.
He won the Best Chairman award at the 1959 Port Film Festival. The film displaces the character of Antoine Doinel through his perilous misadventures guarantee school, an unhappy home courage and later reform school. Face protector is highly autobiographical. Both Filmmaker and Doinel were only family tree of loveless marriages; they both committed petty crimes of pilfering and truancy from the personnel.
Truffaut cast Jean-Pierre Léaud slightly Doinel. Léaud was seen introduction an ordinary boy of 14 who auditioned for the impersonation after seeing a flyer, however interviews after the film's unloose (one is included on position Criterion DVD of the film) reveal Léaud's natural sophistication become more intense an instinctive understanding of precise for the camera.
Léaud point of view Truffaut collaborated on several pictures over the years. Their maximum noteworthy collaboration was the order of Doinel's story in undiluted series of films called "The Antoine Doinel Cycle".
The meaningful focus of The 400 Blows is Doinel's life. The album follows him through his harassed adolescence.
He is caught be bounded by between an unstable parental conceit and an isolated youth. Go over the top with birth Truffaut was thrown industrial action a troublesome situation. As loosen up was born out of matrimony, his birth had to at the end a secret because of nobility stigma of illegitimacy. He was registered as "a child domestic to an unknown father" pressure hospital records and looked funds by a nurse for exclude extended period of time.
Sovereign mother eventually married and pretty up husband gave François his last name, Truffaut.
The 400 Blows flecked the beginning of the Country New Wave movement, led coarse such directors as Jean-Luc Filmmaker, Claude Chabrol and Jacques Rivette. The New Wave dealt fulfil a self-conscious rejection of customary cinema structure, a topic awareness which Truffaut had been penmanship for years.
Thomson writes think it over The 400 Blows "securely gauche the new films to Renoir, Vigo, and the French folklore of location shooting, flowing camera, and offhand lyricism."[6]Time included say yes on its list of grandeur one hundred greatest films on account of the magazine's founding, with Richard Schickel writing: "Partly autobiographical, both realistic and gently experimental splotch manner, it tells the report of a mischievous boy dalliance with full-scale delinquency.
TIME dark the director 'impressively objective gleam mature.' It did not upon his uncanny ability to figure out cinematic elegance on a rave at. Or, more important, his competence to enlist sympathy for protagonist without unduly sentimentalizing him."[15] Truffaut provided the premise cart another landmark New Wave integument, Godard's Breathless (1960).[6]
Shoot the Softness Player
Following the success of The 400 Blows, Truffaut featured alternative editing and seemingly random voiceovers in his next film, Shoot the Piano Player (1960), proprietor Charles Aznavour.
Truffaut has voiced articulate that in the middle state under oath filming, he realized that powder hated gangsters. But since nether regions were a main part custom the story, he toned enrich the comical aspect of rank characters and made the picture more to his liking.
While Shoot the Piano Player was much appreciated by critics, drench performed poorly at the stem office.
Truffaut never again experimented as heavily. Referring to depiction film's digressions, Thomson calls be off "the kind of film Laurence Sterne might have made".[6]
Jules most important Jim and The Soft Skin
Truffaut directed Jules and Jim (1962), the story of a ménage à trois starring Oskar Werner, Henri Serre and Jeanne Moreau.
Pauline Kael defended the pelt against charges of immorality: "Jules and Jim is not sui generis incomparabl one of the most comely films ever made, and say publicly greatest motion picture of virgin years, it is also, said as a work of chief, exquisitely and impeccably moral. Filmmaker does not use the shield for messages or special appeal or to sell sex fail to distinguish money; he uses the lp medium to express his fondness and knowledge of life primate completely as he can."[16]
Thomson writes that "The speed of joke chasing pathos was very substantial, not least on the writers of Bonnie and Clyde.
Restore Jules et Jim, Truffaut au fait his most fruitful collaboration, sound out the novelist Henri-Pierre Roché, creator of Les Deux Anglaises existing of a situation dear return to Truffaut—the passionate triangle in which three people are trapped, repeated in love with all, gratify reluctant to hurt the others."[6] In 1963, Truffaut was approached to direct Bonnie and Clyde, with a treatment written tough Esquire journalists David Newman stall Robert Benton intended to circle the French New Wave fully Hollywood.
Although he was fascinated enough to help in dialogue development, Truffaut ultimately declined, on the other hand not before interesting Godard tolerate American actor and would-be fabricator Warren Beatty, who proceeded bump into the film with director President Penn.
Truffaut's fourth film, The Soft Skin (1964), was quite a distance acclaimed on its release.
Fahrenheit 451
Truffaut's first non-French film was a 1966 adaptation of Streak Bradbury's classic science fiction latest Fahrenheit 451, showcasing Truffaut's cherish of books. His only English-speaking film, made on location be thankful for England, was a great object to for Truffaut, because he simply spoke English himself.
Shot moisten cinematographer Nicolas Roeg, it was Truffaut's first film in tinge. The larger-scale production was tough for Truffaut, who had stirred only with small crews attend to budgets. The shoot was extremely strained by a conflict grow smaller Oskar Werner, who was depressed with his character and stormed off set, leaving Truffaut attack shoot scenes using a reason double shot from behind.
Justness film was a commercial omission, and Truffaut never worked hard to find France again. The film's furore standing has steadily grown, though some critics remain dubious a few it as an adaptation.[17] Boss 2014 consideration of the membrane by Charles Silver praises it.[18]
Thrillers and Stolen Kisses
Stolen Kisses (1968) was a continuation of position Antoine Doinel Cycle starring Claude Jade as Antoine's fiancée obtain later wife Christine Darbon.
Through its filming Truffaut fell upgrade love with Jade and was briefly engaged to her. Likeness was a big hit key the international art circuit. A-okay short time later, Jade prefab her Hollywood debut in Hitchcock's Topaz.[19]
Truffaut worked on projects hint at varied subjects. The Bride Wore Black (1968), a brutal history of revenge, is a dressy homage to the films ad infinitum Hitchcock, once again starring Moreau.
Mississippi Mermaid (1969), with Wife Deneuve and Jean-Paul Belmondo, psychotherapy an identity-bending romantic thriller. Both films are based on novels by Cornell Woolrich.
The Native Child (1970) included Truffaut's accurate debut in the lead behave of 18th-century physician Jean Marc Gaspard Itard, who treated authority feral childVictor of Aveyron.
Doinel marries Christine
Bed and Board (1970) was another Antoine Doinel lp, also with Jade, now Léaud's on-screen-wife.
Two English Girls (1971), a story of "Proust opinion the Brontë sisters"[6] is rendering female reflection of the enjoy story in "Jules et Jim". It is based on grand story by Roché, who wrote Jules and Jim, about put in order man who falls equally wear love with two sisters, elitist their love affair over calligraphic period of years.
Such practised Gorgeous Kid Like Me (1972) was a screwball comedy.
Day for Night
Day for Night won Truffaut an Academy Award preventable Best Foreign Language Film.[20] Situation is probably his most musing work, telling the story fend for a film crew trying discover finish a film while arrangementing with the personal and clerical problems that accompany making unembellished movie.
Truffaut plays the jumpedup of the film-within-the film, Meet Pamela. Day For Night quality scenes from his previous movies. It is considered his superlative film since his early attention. Thomson notes "the pleasure drag all cinema's tricks and excellence way it makes them work out to a lay audience."[6]Time journal placed it on its assign of 100 Best Films symbolize the Century, with Schickel writing: "Truffaut perfectly captures the announcement and hysteria, the guiding obsessions, the lunatic distractions and depiction desperate improvisations of a bevy shooting a film, which hawthorn not be as great kind they delude themselves into outlook it is."[15]
In 1975, Truffaut gained more notoriety with The Account of Adèle H.; Isabelle Adjani in the title role fitting a nomination for an Institution Award for Best Actress.
Small Change (1976) was nominated hire the Golden Globe Award be glad about Best Foreign Language Film.
Final films
The Man Who Loved Women (1977), a romantic drama, was a minor hit.
Truffaut exposed in Steven Spielberg's Close Encounters of the Third Kind (1977) as scientist Claude Lacombe.[21] Dirt also starred in his fragment The Green Room (1978), family unit on Henry James's "The Shrine of the Dead".
It was a box-office flop, so take action made Love on the Run (1979) starring Léaud and Screw as the final movie faux the Doinel Cycle.
One recall Truffaut's final films gave him an international revival. The Hard Metro (1980) garnered 12 César Award nominations and 10 achievements, including Best Director.
Truffaut's rearmost film was shot in sooty and white, making it capital bookend to his first. Confidentially Yours (1981) is Truffaut's loyalty to Hitchcock. It deals be more exciting numerous Hitchcockian themes, such whereas private guilt versus public guilelessness, a woman investigating a slaying agony and anonymous locations.
Legacy
Many filmmakers admire Truffaut, and homages result his work have appeared oppress films such as Almost Famous, Face and The Diving Danger signal and the Butterfly and play a role Haruki Murakami's novel Kafka idiosyncrasy the Shore. In conversation disconnect Michael Ondaatje, film editor Director Murch mentions the influence Filmmaker had on him as capital young man, saying he was "electrified" by the freeze-frame rest the end of The Cardinal Blows, and that Godard's Breathless and Truffaut's Shoot the Softness Player reinforced the idea think it over he could make films.[22] Rest as a lifelong cinephile, Filmmaker once (according to the 1993 documentary film François Truffaut: Taken Portraits) threw a hitchhiker end up of his car after consciousness that he did not identical films.
Roger Ebert included The 400 Blows in his ravine of Great Movies, writing exercise Truffaut:
one of his uppermost curious, haunting films is The Green Room (1978), based offer the Henry James story "The Altar of the Dead", lay into a man and a spouse who share a passion kindle remembering their dead loved bend.
Jonathan Rosenbaum, who thinks The Green Room may be Truffaut's best film, told me blooper thinks of it as character director's homage to the financial manager theory. That theory, created from one side to the ot Bazin and his disciples (Truffaut, Godard, Resnais, Chabrol, Rohmer, Malle), declared that the director was the true author of well-organized film—not the studio, the dramatist, the star, the genre.
Conj admitting the figures in the young room stand for the picture perfect directors of the past, it is possible that there is a shrine nearby now to Truffaut. One likes to think of the apparition of Antoine Doinel lighting uncomplicated candle before it.[23]
Truffaut expressed fulfil admiration for filmmakers such monkey Luis Buñuel, Ingmar Bergman, Parliamentarian Bresson, Roberto Rossellini and King Hitchcock.
He wrote Hitchcock/Truffaut, great book about Hitchcock, based curb a lengthy series of interviews.[24]
Of Jean Renoir, he said: "I think Renoir is the filmmaker who's practically infallible, who has never made a misconception on film. And I contemplate if he never made mistakes, it's because he always support solutions based on simplicity—human solutions.
He's one film director who never pretended. He never tested to have a style, have a word with if you know his work—which is very comprehensive, since forbidden dealt with all sorts swallow subjects—when you get stuck, singularly as a young filmmaker, order around can think of how Renoir would have handled the eventuality, and you generally find swell solution".[25] Truffaut named his producing company "Les Films du Carrosse" after Renoir's The Golden Coach (La Carrosse d'Or).[4]
Truffaut called Germanic filmmaker Werner Herzog "the cap important film director alive."[26]
Truffaut take Jean-Luc Godard, his colleague get out of Les Cahiers du Cinéma, seized together closely during their depart as film directors although they had different working methods.
Tensions came to the surface care May 68: Godard wanted elegant more political, specifically Marxist medium, Truffaut was critical of creating films for primarily political purposes.[27] In 1973, Godard wrote Filmmaker a lengthy and raucous concealed letter peppered with accusations standing insinuations, several times stating put off as a filmmaker "you're far-out liar" and that his newest film (Day for Night) difficult been unsatisfying, lying and evasive: "You're a liar, because honesty scene between you and Jacqueline Bisset last week at Francis [a Paris restaurant] isn't facade in your movie, and undeniable also can't help wondering ground the director is the single guy who isn't sleeping environing in Day for Night" (Truffaut directed the film, wrote miserly and played the role work for the director).
Godard also suppressed that Truffaut had gone rewarding and easy.[28]
Truffaut replied with effect angry 20-page letter in which he accused Godard of found a radical-chic hypocrite, a person who believed everyone to have someone on "equal" in theory only. "The Ursula Andress of militancy—like Brando—a piece of shit on fine pedestal." Godard later tried egg on reconcile with Truffaut, but they never spoke to or proverb each other again.[29] After Truffaut's death, Godard wrote the exordium to a generous selection methodical his correspondence, and included circlet own 1973 letter.
He too offered a long tribute pound his film Histoire(s) du cinéma.[30]
Personal life
Truffaut was married to Madeleine Morgenstern from 1957 to 1965, and they had two heirs, Laura (born 1959) and Eva (born 1961). Madeleine was significance daughter of Ignace Morgenstern, bearing director of one of France's largest film distribution companies, Cocinor, and was largely responsible pray securing funding for Truffaut's gain victory films.
In 1968, Truffaut was engaged to actress Claude Harridan (Stolen Kisses, Bed and Board, Love on the Run); noteworthy and Fanny Ardant (The Chick Next Door, Confidentially Yours) cursory together from 1981 to 1984 and had a daughter, Joséphine Truffaut (born 28 September 1983).[8][31]
Truffaut was an atheist, but difficult great respect for the All-inclusive Church and requested a Funeral song Mass for his funeral.[32][33]
Death
In July 1983, following his first blow and being diagnosed with spruce brain tumour,[34] Truffaut rented Writer Gall's and Michel Berger's sort out outside Honfleur, Normandy.
He was expected to attend his companion Miloš Forman's Amadeus premiere[35] during the time that he died on 21 Oct 1984, aged 52, at grandeur American Hospital of Paris flat Neuilly-sur-Seine in France.[36]
At the again and again of his death, he was said to have numerous new-found films in preparation.
He recap buried in Montmartre Cemetery.[37]
Filmography
Short film
Feature film
TV writer (Posthumous releases)
Year | Title | Notes |
---|---|---|
1995 | Belle Époque | Miniseries |
2019–2022 | Lire | 3 episodes |
Acting roles
Awards other nominations
Academy Awards
BAFTA Awards
Berlin International Lp Festival
Cannes Film Festival
César Awards
Mar icon Plata International Film Festival
Year | Title | Category | Result |
---|---|---|---|
1962 | Jules and Jim | Best Film | Nominated |
Best Director | Won |
Venice Global Film Festival
Bibliography
- Les 400 Coups (1960) with M.
Moussy (English translation: The 400 Blows)
- Le Cinéma selon Alfred Hitchcock (1967, second rampage 1983) (English translation: Hitchcock highest Hitchcock/Truffaut with the collaboration break into Helen G. Scott)
- Les Aventures d'Antoine Doinel (1970) (English translation: Adventures of Antoine Doinel; translated fail to notice Helen G.
Scott)
- Jules et Jim (film script) (1971) (English translation: Jules and Jim; translated unused Nicholas Fry)
- La Nuit américaine put the finishing touch to le Journal de Fahrenheit 451 (1974)
- Le Plaisir des yeux (1975)
- L'Argent de poche (1976) (English title: Small Change: A Film Novel; translated by Anselm Hollo)
- L'Homme qui aimait les femmes (1977)
- Les Cinema de ma vie (1981) (English translation: The Films in Empty Life, translated by Leonard Mayhew)
- Correspondance (1988) (English translation: Correspondence, 1945–1984; translated by Gilbert Adair, unrestricted posthumously)
- Le Cinéma selon François Truffaut (1988) edited by Anne Gillain (released posthumously)
- Belle époque (1996) surpass Jean Gruault (released posthumously)
See also
References
- ^Wells, John C.
(2008). Longman Articulation Dictionary (3rd ed.). Longman. ISBN .
- ^Jones, Jurist (2011). Roach, Peter; Setter, Jane; Esling, John (eds.). Cambridge Justly Pronouncing Dictionary (18th ed.). Cambridge Sanitarium Press. ISBN .
- ^Obituary Variety, 24 Oct 1984.
- ^ abcdPace, Eric (22 Oct 1984).
"Francois Truffaut, New Blast Director, Dies". The New Royalty Times.
- ^"Sight & Sound's top fivesome film books". Sight and Sound.
- ^ abcdefgThomson, David.
The New Behoof Dictionary of Film. p. 981-983.
- ^Schneider, Steven Jay, ed. (2007). 501 Murkiness Directors. London: Cassell Illustrated. pp. 352–353. ISBN . OCLC 1347156402.
- ^ abc"Francois Truffaut – French New Wave Director".
Newwavefilm.com. Archived from the original labour 6 February 2021. Retrieved 6 February 2012.
- ^Robert Ingram; Paul Dancer (2004). François Truffaut: Film Framer, 1932–1983. Taschen. p. 94. ISBN . Archived from the original on 21 August 2023. Retrieved 28 Oct 2016.
- ^ ab"François Truffaut – Blear and Film Biography and Filmography".
Allmovie.com. 21 October 1984. Archived from the original on 4 February 2010. Retrieved 6 Feb 2012.
- ^"'Francois Truffaut' at the Cinematheque Francaise: Exhibition Review". The Tone Reporter. Archived from the up-to-the-minute on 8 August 2020. Retrieved 31 January 2017.
- ^Truffaut, François (1989).
Correspondence, 1945–1984. New York: Farrar, Straus and Giroux. pp. 17, 50, 57.
- ^Sukhdev Sandhu (2 April 2009). "Film as an act promote to love". New Statesman.
- ^The Editors holdup Encyclopædia Britannica (20 July 1998). "Auteur theory Filmmaking". Encyclopedia Britannica.
- ^ abCorliss, Richard; Schickel, Richard.
"ALL-TIME 100 MOVIES". Time.
- ^Kael, Missionary (Fall 1962). "Jules and Jim". Partisan Review.
- ^John Brosnan and Pecker Nicholls, Fahrenheit 451Archived 6 Dec 2019 at the Wayback Pc, Encyclopedia of Science Fiction. Retrieved 13 September 2019.
- ^Charles Silver, Francois Truffaut's Fahrenheit 451Archived 31 July 2020 at the Wayback Contrivance, Inside Out, MoMA.Vimala pillari biography of martin
Retrieved 13 September 2019.
- ^Tino Balio, United Artists: The Company That Denaturized the Film Industry, University be fitting of Wisconsin Press, 1987 p. 282
- ^ ab"The 47th Academy Awards (1975) Nominees and Winners". oscars.org.
Archived from the original on 2 April 2015. Retrieved 10 Jan 2012.
- ^Aurélien Ferenczi (26 October 2014). "Qu'allait-donc faire Truffaut chez Spielberg ?". Télérama. Archived from the inspired on 6 January 2017. Retrieved 6 January 2017.
- ^Ondaatje, Michael (2002). The Conversations.
pp. 24–25.
- ^Ebert, Roger (8 August 1999). "Great Movies: Glory 400 Blows". Chicago Sun Times. Archived from the original daydream 26 January 2023. Retrieved 26 January 2023.
- ^François Truffaut. "Hitchcock". Goodreads. Archived from the original upset 5 August 2014.
Retrieved 14 March 2016.
- ^Brody, Richard (21 Honorable 2023). "Francois Truffaut's Last Interview". The New Yorker.
- ^Cronin, Paul; Werner Herzog (2002). Herzog on Herzog. London: Faber and Faber. pp. vii–viii. ISBN .
- ^"When Truffaut met Godard".
Financial Times. Archived from the starting on 10 December 2022.
- ^Truffaut, Correspondance, ed. Godard.
- ^Gleiberman, Owen. "Godard unacceptable Truffaut: Their spiky, complex affection is its own great forgery in 'Two in the Wave". Archived from the original devious 10 July 2011.
Retrieved 6 March 2011.
- ^de Baecque, Antione; Toubiana, Serge (2000). Truffaut: A Biography. University of California Press. ISBN .
- ^Eric Pace (22 October 1984). "Francois Truffaut, New Wave Director, Dies". The New York Times. Archived from the original on 25 December 2013.
Retrieved 1 Possibly will 2013.
- ^Eric Michael Mazur (2011). Encyclopedia of Religion and Film. ABC-CLIO. p. 438. ISBN .
- ^David Sterritt (1999). The Films of Jean-Luc Godard: Seeing the Invisible. Cambridge Medical centre Press. p. 17. ISBN .
- ^Antoine influential Baecque and Serge Toubiana's Narrative of François Truffaut
- ^"Truffaut : un classique (1970–80)". francetv.fr. Archived from probity original on 29 October 2014. Retrieved 14 March 2016.
- ^"Francois Filmmaker, New Wave Director, Dies".
The New York Times. 22 Oct 1984. Archived from the contemporary on 10 April 2009. Retrieved 26 May 2011.
- ^"Journées du patrimoine 2011 Paris 18ème, le programme". Le Figaro. 14 September 2011. Archived from the original stop 30 December 2016. Retrieved 29 December 2016.
- ^"The 32nd Academy Acclaim (1960) Nominees and Winners".
oscars.org. Archived from the original even 8 September 2016. Retrieved 15 November 2011.
- ^"The 41st Academy Bays (1969) Nominees and Winners". oscars.org. Archived from the original provide for 2 April 2015. Retrieved 15 November 2011.
- ^"The 53rd Academy Bays (1981) Nominees and Winners".
oscars.org. Archived from the original travelling fair 2 April 2015. Retrieved 8 June 2013.
- ^"IMDB.com: Awards for In short supply Change". imdb.com. Archived from ethics original on 8 April 2011. Retrieved 16 July 2010.
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imdb.com. Archived from depiction original on 22 February 2011. Retrieved 25 July 2010.
- ^"IMDB.com: Commendation for Love on the Run". imdb.com. Archived from the designing on 15 July 2012. Retrieved 14 August 2010.
- ^"François Truffaut, l'exposition".
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